self-doubt

The Size of Your Canvas

(First of all, let me say that I prefer dogs to cats by a factor of about fifty, but this watercolor of a blue-eyed cat by my friend Linda Mullen almost makes me want to switch sides. I have no talent in the visual arts, so I am completely dazzled by her ability to use just a little paint and water and paper to recreate a cat that looks like it wants to hop right into your lap and meow. Linda is an artist who deserves a wider audience and so I’m taking this opportunity to share her work, lindamullen.com, and gallery, Ballast Point Gallery, with you. )

The Size of Your Canvas: Reflections on Art and Audience

Some paintings are so big that they are best seen from a great distance.

In Rome I wanted nothing more than for the guards to just go away and leave us alone so that I could lie on my back and gaze up for hours at the ceiling of the Sistine Chapel. Instead, craning my neck in the midst of a hot and sweaty crowd of hundreds of others, I had to grab what I could in the frustratingly short 15 minutes they allowed us to view the frescoes we’d crossed an ocean and waited hours to see.

Other paintings are smaller in size, but no less powerful. At the Louvre in Paris, we were in a similar herd of tourists filing past the Mona Lisa, which turned out to be not a commanding painting at all, if size were the measure. Little more than life size, the drably colored canvas could only be viewed by few people at once. There was an optimal viewing distance, and it was much closer than that of Michaelangelo’s frescoes.

Both are masterpieces.

Last Friday night, Jeff and I happened upon on art show in San Diego featuring a Spanish artist, Royo. His paintings were grand scale expressionistic works of young beauties with downcast eyes, clad in gauzy garments and holding baskets of

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How to Keep Criticism from Crushing You

My skin is sensitive. So said my dermatologist, who—strangely, I thought—pointed out that she could sign her name on my back with just a light touch of her fingernail.

My emotions aren’t much different. If you’ve known for more than a week or two, you’ve probably seen me cry. And most of the times that my eyes are overflowing, I’m fighting it, embarrassed by my own transparent vulnerability. I’ve been rightly called “thin-skinned.”

The only parts of me, inside or out, that are not sensitive are my fingertips. I’ve been playing guitar my whole life— I don’t get have to have those white-tipped fingernails I enviously watch Beth Moore wave about so gracefully when she’s teaching. To me, however, it is a small sacrifice. Making music with stringed instruments has given me immeasurable pleasure. When I was a full-time performer, I could play guitar for 6 hours a day without feeling the strain. My secret? Industrial

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